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The term "Imaginative Contemplation" refers to a special mental state in literary and artistic creation. It enables the author, driven by intense emotions, to break the limits of time and space and enter a state of free imagination or inspiration. It was widely used in the literary and artistic theories of the Wei, Jin, and Southern and Northern dynasties, and Liu Xie of the Southern Dynasties specifically discussed it in The Literary Mind and the Carving of Dragons. It emphasizes that this is a unique psychological activity in literary and artistic creation, different from other cognitive activities. The citations show that this state allows the author's imagination and thoughts to transcend time and space and is the source of literary creation, and people's feelings and thoughts about the external world are formless and ever-changing.