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指戏曲创作应摆脱陈旧的创作模式。所谓窠臼，不仅指以往作品的窠臼，还包括创作者个人的窠臼。由明末清初曲论家李渔在《闲情偶寄》中提出。李渔认为，戏曲创作的取意、填词应力求新颖，不能蹈袭前人，才可称得上“传奇”。这一术语的提出既是为了满足观众的审美心理，也体现了文艺创作必须创新求变的宗旨 去书内
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  • 用户824028 用户824028

    This term means that a writer should not fall into old patterns when writing a drama. He should not only avoid stereotypes of previous works but also resist attempts to do so in his own creations. The term was proposed by late Ming to early Qing drama theorist Li Yu in his Occasional Notes with Leisure Motions. In his view, dramatic creations should be original in both content and wording, and previous works should not be blindly followed. Only such works deserve to be called chuanqi (legendary story). This call to avoid stereotypes was made to encourage creativity and variety in artistic pursuit to delight the audiences.

    2025-06-20 喜欢(0) 回复(0)

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