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Xia Tingzhi’s preface provides a sharp, concise overview of the evolution of Chinese performing and narrative arts across dynasties. It traces the shift from the Tang’s casual scholar-written strange tales to the Song’s vivid musical and comedic stage shows, then the Jin’s fusion of brothel scripts and zaju, and finally the distinct separation of these two forms in his era. This short passage not only maps a clear artistic lineage but also subtly reflects how literary and performing arts adapted to changing social tastes. It is a valuable microcosm of ancient Chinese literary and theatrical development.

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