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This text distills the core of Zong Bing’s On the Creation of Landscape Paintings, linking landscape’s form to the Dao and expanding Confucius’ maxim about virtuous men’s love for mountains and water. Zong argues that mountains and rivers embody both natural splendor and the universal law of change, making them beloved by virtuous people. The passage concisely unveils the Six Dynasties’ unique aesthetic view, which merges nature, philosophy, and morality. It offers a profound glimpse into how ancient Chinese literati perceived art and the cosmos through landscape.

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