Music to hear, why hear'st thou music sadly? Sweets with sweets war
not, joy delights in joy. Why lov'st thou that which thou receiv'st not
gladly, Or else receiv'st with pleasure thine annoy? If the true
concord of well tuned sounds, By unions married, do offend thine ear,
They do but sweetly chide thee, who confounds In singleness the parts
that thou shouldst bear. Mark how one string, sweet husband to another,
Strikes each in each by mutual ordering; Resembling sire, and child,
and happy mother, Who all in one, one pleasing note do sing; Whose
speechless song, being many, seeming one, Sings this to thee, 'Thou
single wilt prove none.'
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罗岚莎
Then the speaker makes a generalization that everything in nature including the seasons—and he has chosen the best season, after all; he did not advantage his argument by comparing the poem to a winter day—and even people degenerates with time, either by happenstance or by processes the human mind does not comprehend or simply by the unstoppable course of nature: "And every fair from fair sometime declines, / By chance, or nature’s changing course untrimm’d.”
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