笔记(共42篇)

  • 大理石餐桌 大理石餐桌

    “glowworm” 全部笔记(1) 去书内

    萤火虫

    2026-01-24 喜欢(0) 回复(0)

  • 大理石餐桌 大理石餐桌

    “intermission” 全部笔记(1) 去书内

    幕间休息

    2026-01-22 喜欢(0) 回复(0)

  • 大理石餐桌 大理石餐桌

    “embellishment” 全部笔记(1) 去书内

    装饰

    2026-01-22 喜欢(0) 回复(0)

  • 陈彦志 陈彦志

    “Rosalie was pleased with the thoughts of becoming mistress of...” 全部笔记(1) 去书内

    This passage offers a nuanced psychological portrait of Rosalie s ambivalence towards her imminent marriage. Superficially, she is elated by the prospects of becoming mistress of Ashby Park, the splendid ceremony, a honeymoon abroad, and future gaieties. This excitement stems from the immediate social and material rewards of the union, coupled with her fresh, flattery-fed attraction to Sir Thomas. Beneath this, however, lies a palpable reluctance. She "seemed to shrink" and desires a delay of months, revealing an instinctive fear of the union s permanence. The marriage appears more as a transactional obligation than a romantic culmination. The narrator’s explicit wish for delay intensifies this critique. Labeling it an "inauspicious match" she seeks to "hurry on" frames the event as a pressured, potentially tragic social ritual. Rosalie’s hesitation represents a fleeting clash between nascent self-awareness and societal expectation. Anne Brontë, through the governess s critical eye, exposes the emotional cost for women in marriages of convenience, highlighting the loss of autonomy beneath the glittering surface of social advancement.

    2026-01-19 喜欢(0) 回复(0)

  • 陈彦志 陈彦志

    “Now, therefore, let us return to Miss Murray. She accompanied...” 全部笔记(1) 去书内

    This excerpt from Anne Brontë’s The Tenant of Wildfell Hall presents a sharp, socially observant narrative. The scene describes Miss Murray’s triumphant reception of a marriage proposal from Sir Thomas at a ball—an event credited to her mother’s “sagacity,” a term laced with the narrator’s implicit irony. This highlights the period’s calculating view of marriage as a tool for social advancement. The narrator’s own experience provides a crucial counterpoint. Forced to copy music while her pupil attends the ball, the governess is confined to the schoolroom, symbolizing her marginalized position. This contrast underscores the rigid class divisions and limited autonomy for working women. The prose is deceptively simple, carrying a critical subtext. The narrator’s dry commentary on maternal “contrivance” critiques the transactional nature of upper-middle-class matrimony. Anne Brontë uses this quiet moment not just to advance the plot, but to offer a pointed analysis of gender, class, and power in Victorian society, establishing the novel’s realist and reformist tone.

    2026-01-19 喜欢(0) 回复(0)

  • 陈彦志 陈彦志

    “Now, therefore, let us return to Miss Murray. She accompanied...” 全部笔记(1) 去书内

    你对这段内容的看法...

    2026-01-19 喜欢(0) 回复(0)

  • 大理石餐桌 大理石餐桌

    “solicitous” 全部笔记(1) 去书内

    热心的

    2026-01-15 喜欢(0) 回复(0)

  • 大理石餐桌 大理石餐桌

    “veil” 全部笔记(1) 去书内

    面纱

    2026-01-15 喜欢(0) 回复(0)

  • 大理石餐桌 大理石餐桌

    “exaggerated” 全部笔记(1) 去书内

    夸张的

    2026-01-15 喜欢(0) 回复(0)

  • 大理石餐桌 大理石餐桌

    “budding” 全部笔记(1) 去书内

    初露头角的

    2026-01-15 喜欢(0) 回复(0)