沙漠里的爱情

Because I know I choose this topic will let people have the curiosity to read their own feelings, rather than some Balzac work analysis or critical realism literary research, such as the topic. Obviously, we live in this era is a title of the era, advertising era, everything as long as eye-catching and repeated can achieve the purpose of selling, as to what is really bought, what is sold is actually irrelevant, the important thing is repeated, simple and eye-catching. The reader is the customer, and if you sell it, you sell your book, no matter who wrote it, Balzac or Dan brown. I used to be surprised -- maybe I was too out of date -- to see a woman fill a wheelbarrow with HM's clothes, which was crazy for a poor kid from a small city. I think what she bought was not the clothes themselves, but a brand obsession. I wear HM or ZARA, like Sofia coppola, which is the real purpose, not a bunch of rough pieces of cloth. Lately I have been reading and writing marxist-leninist works, which are not fashionable, but I have always felt that the road to serfdom or the wealth of nations, the animal farm, is going out of fashion, because the purse is getting thinner and thinner, and I have read a critique of capital. And Balzac was a very good writer for Marx, so he read his book. In the history of world literature, there are probably two people who like to talk about money most, a man and a woman, the man is Balzac, the woman is Austin. Austen was the embodiment of English classical economics and liberalism, while Balzac was the writer of the financial monopoly capital of the autocratic continent, a story about the free choice of marriage of the middle class, a story about the stock exchange of the bank of France, a story about the English countryside, a salon in Paris. They talk about money and lust, but they are the two stages of capital, and men and women see money differently. I think I read Balzac very early. I read his works in the library of my hometown when I was in middle school. At that time, his works were an essential part of the library because of ideology. However, at that time, the children of a state-owned factory could not imagine the life of the French financial capitalists in the early 19th century, and they seemed to understand the story of goriot and grandet. Only later did the social changes make me truly understand the realistic significance of Balzac.