A tale of two cities
来一份杏仁
"A tale of two cities" is one of Dickens's most important
representative works.The novel profoundly exposed the society
contradiction before the French Revolution,intensely attacks the
aristocratic social class is dissolute and cruel,and sincerely
sympathizes with the depressed classes.The novel also described many
magnificent scenes like the revolt people attacked Bastille and so
on,which displayed people's great strength. The novel has portrayed many
different people. Doctor Manette is honest and kind but suffers the
persecution actually ,bai Lucie is beautiful and gentle ,Charles is
graceful and noble,Lorry is upright and honest ,Sydney is semblance of
indifferent, innermost feelings of warm,unconventional but also selfless
and lofty,Miss Pross is straightforward and loyal,Evremonde brothers are
cruel and sinister......The complex hatred is hard to solve, the cruel
revenge has made more hatreds, loves rebirth in the hell edge,but take
the life as the price. As an outstanding writer,in Dickens's work,the
language skill is essential.Each kind of rhetoric technique,like the
analogy,the exaggeration,the contrast,the humorous,and the taunt are
handled skillfully,and the artistry of the work is also delivered the
peak."A tale of two cities" has its difference with the
general historical novel, its character and the main plot are all
fictionalizes.With the broad real background of the French
Revolution,the author take the fictional character Doctor Manette's
experience as the main clue,interweaves the unjust charge, love and
revenge three independences but also incident cross-correlation stories
together,the plot is criss-crossed, and the clue is complex.The author
use insert narrates,foreshadowing,upholstery and so many
techniques,causes the structure integrity and strictness,the plot
winding anxious and rich of theatrical nature,it displayed the
remarkable artistic skill.the style "A tale of two cities" is
solemnity and melancholy, fills indignantion, but lacks the humor of the
early works.
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