The end of chapter two.
张俊123
From the later part of chapter 2 I have learned that the decorative pottery culture in shung dynasty is derived from wooden motifs. Then the question when the original pattern of recorded culture begin incurs further discussion of the contacts between different cultures. In this chapter I was impressed by the cemetery recording which describes the motifs on those coffin and the sacrificers accompaning the royals. So I wonder when did human sacrifices begin and when did it end?
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