然而小说中也有些许的缺点，例如阁楼上的疯女人被囚禁在阁楼也不被简爱所发觉过于玄幻，伤害了其他人却唯独不伤害简爱，虽然有学者试图用弗洛伊德的镜像理论去论述简爱和疯女人的二元一体，但是只能从精神角度出发分析，从小说人物的实体构建来看还是具有不可代替的地位。在文章中还透露着一种宿命论的语调，简爱每次经历巨大的挫折都能在最后关头获得解救，并且文章中对于男性角色的刻画都是带有负面的情绪，具有性别反叛的意味，在这种层面上看，如果女性书写立足于男性批判上的话，那便不是真正的女性书写，因为女性书写并不是要提倡或者加剧性别对立，而是要开辟两性和谐的中间地带。
However, there are also some shortcomings in the novel, such as the mad woman in the attic imprisoned in the attic is not found too mysterious by Jane Eyre, hurting others but not hurting Jane Eyre, although some scholars try to use Freud's mirror theory to discuss the duality of Jane Eyre and the mad woman, but it can only be analyzed from a spiritual point of view, and it still has an irreplaceable status from the perspective of the physical construction of the novel characters. In the article also reveals a fatalistic tone, Jane Eyre can be rescued at the last minute every time she experiences a huge setback, and the portrayal of male characters in the article is with negative emotions, with the meaning of gender rebellion, at this level, if women's writing is based on male criticism, it is not really women's writing, because women's writing is not to advocate or exacerbate gender antagonism, but to open up a middle ground of gender harmony.
The book "Jane Eyre" shows the unique talent of the author Charlotte through the writing of the fate of the protagonist Jane Eyre. Among them, there are many highlights in the writing of the novel.
The first is the use and rebellion of the Cinderella fairy tale prototype. Jane Eyre makes good use of this archetype, but also rebels to a certain extent. First, no longer a handsome man and a beautiful woman, Jane Eyre looks plain in the novel and Mr. Rochester also has a savage face. Second, the character of the character is contrary to the Cinderella archetype, Jane Eyre has a withdrawn and gloomy personality, while Mr. Rochester has a melancholy and moody personality, if the story of Cinderella's fairy tale is bright in color, then Jane Eyre's story is based on black, white and gray. Third, the rebellion against the traditional ending, changing the class leap in Cinderella's fairy tale, Jane Eyre's Cinderella reverses her dominance in the end, returning to the disabled Mr. Rochester, showing the tension of women's writing.
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