Week 5-8
曹迪
1. What is “Ink Wash Painting”?
2. What does “Being Both Opposite and Complementary” mean?
3. What is the sequence between “action” and “knowledge”?
回复
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顾凡In a mo- ment I was wet to the skin. "Fine hospitality, " said I, "to a man who has travelled innumerable years to see you." "Presently I thought what a fool I was to get wet. I stood up and looked round me. A colossal fiqure, carved apparently in some white stone, loomed indistinctly beyond the rhododen- drons through the hazy downpour.But all else of the world was invisible. "My sensations would be hard to describe.As the columns of hail grew thinner, I saw the white figure more distinctly. It was very large, for a sil- ver birch-tree touched its shoulder. It was of white marble, in shape something like a winged sphinx, but the wings, instead of being carried vertically at the sides, were spread so that it seemed to hover. The pedestal, itappeared t0me, wasof bronze, and was thick with verdiaris. It chanced that the face was towards me; the sightless eyes seemed to watch me; there was the faint shadow of a smile on the lips.It was greatly weather-worn ,and that imparted an unpleasant suggestion of disease.I stood looking at it for a little space- half a minute, perhaps, or half an hour. -
李梓怡"I stopped very gently and sat upon the Time Machine, looking round. The sky was no longerblue. North-eastward it was inky black, and out of the blackness shone brightly and steadily thepale white stars. Overhead it was a deep Indian red and starless, and south-eastward it grewbrighter to a glowing scarlet where, cut by the horizon, lay the huge hull of the sun, red and mo-tionless. The rocks about me were of a harsh reddish colour, and all the trace of life that I couldsee at first was the intensely green vegetation that covered every projecting point on their south-eastern face. It was the same rich green that one sees on forest moss or on the lichen in caves.plants which like these grow in a perpetual twilight.
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刘欣语Jizi thus said: "I once learned that Gun misused the five elements, i.e., wood, fire, earth, metal and water, in his efforts to control the floods. The Ruler of Heaven was furious and deprived him of all the Nine Great Rules. As a result, the long-standing laws of governance of the state were jeopardized. Gun was sent in exile until his death. His son Yu took over his father's duties and became very successful in harnessing the floods. Heaven bestowed the Nine Great Rules on him. Order was restored due to the operation of these long-standing laws of governance.
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王振豪Ink painting: It is a form of painting. More often, ink painting is regarded as the representative of China traditional painting, that is, Chinese painting. Basic ink painting, only water and ink, black and white, but advanced ink painting, but also meticulous flower-and-bird painting, colorful. The latter is sometimes called color ink painting.
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史静仪Ren Fang, Wang Rong and some other writers of recent times have given no attention to linguistic innovation yet vied with each other for using literary allusions that no one else has ever employed. Subsequent writers have turned this practice into a habit. And so, all sentences must contain allusions, and every word and expression has to be traceable to some sources. Allusions are clumsily tacked onto the authors' own words, severely damaging their works. There are few poets capable of producing works that display the pristine beauty of nature or their genuine sentiments. (Zhong Rong: Preface to "The Critique of Poetry")
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李沁萱Southern and Northern dynasties were fond of entertaining abstruse schools of philosophy in their poems, while Song-dynasty poets often used poetry to comment on the society of their time. Both practices were treated as faults by some critics of later times. Some later critics even maintained that philosophical content should never figure into a poem apart from artistic images. Instead they maintained that the substantial content of the poem should be conveyed only by means of artistic images so that it could be grasped by readers through their appreciation of the work's artistic features, thus the term "'substance through artistic appeal.
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菅九蓉Our chairs, being his patents, embraced and caressed us rather than submitted to be sat upon, and there was that luxurious after-dinner atmosphere when thought roams gracefully free of the trammels of precision. And he put it to us in this way-marking the points with a lean forefinger-as we sat and lazily admired his earnestness over this new paradox (as we thought it:) and his fecundity. "You must follow me carefully.
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王文仟characterized Semyon as an optimistic, cold blooded and dignified man. In the story, the major characters Semyon and Tatar are in exile in the cold Siberia. The old man Semyon is nicknamed Canny by other fellows, which indicates he is regarded as a smart person. Chekov characterizes Semyon through his words to the Tatar, who is always having a feeling of nostalgia, like that has been written in the book :“ I've been going like that for twenty-two years, day and night... And thank God for it, I want nothing; God give everyone such a life”. Semyon has been in exile for twenty-two years and he is satisfied with his life which has been filled with everyday hard labor. In his speech, he first shows his appreciation to the God, then he wishes everyone can have a life like him, which indicates how satisfied he is with his situation. The story took place in the colo Siberia, with the main character who has been in exile for a long time; Chekov makes a contrast between the terrible living conditions and the optimistic Semyon and it emphasizes his positive attitudes towards life.
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