"This is refreshing," he murmured, as, lying upon his back, he looked up through the leafy rifts to the sky above. "I don't know when I have ever been so tired. It's no joke walking a dozen miles under a hot sun, with a heavy gripsack in your hand. It's a good introduction to a life of labor, which I have reason to believe is before me. I wonder how I am coming out—at the big or the little end of the horn?"

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - A boy of sixteen, with a small gripsack in his hand, trudged along the country road. He was of good height for his age, strongly built, and had a frank, attractive face. He was naturally of a cheerful temperament, but at present his face was grave, and not without a shade of anxiety. This can hardly be a matter of surprise when we consider that he was thrown upon his own resources, and that his available capital consisted of thirty-seven cents in money, in addition to a good education and a rather unusual amount of physical strength. These last two items were certainly valuable, but they cannot always be exchanged for the necessa-ries and comforts of life

Horatio Alger, Jr. (1834-99) was a prolific writer of dime novel stories for boys. From the debut of his first novel, Ragged Dick, in 1867, Alger was instrumental in establishing a new genre of dime novels known as the 'city story.' The genre arose out of the wide-spread urbanization that followed the Civil War and paralleled the rise of industrialism. Alger's stories heroicized the young street urchins living in poverty among large, urban centers such as New York, Boston, and Philadelphia. With uncommon courage and moral fortitude, Alger's youths struggle against adversity to achieve great wealth and acclaim. These rags to riches stories were enormously popular with the public and flourished in the decades from 1870 to 1890.