• 导读
  • 在艺术上,《乌有乡消息》继承了拜伦、雪莱及宪章派诗人的浪漫主义传统,通过幻想与象征手法,曲折然而真实地反映了当时英国的社会现实。作品笔调热情洋溢,具有强烈的感召力。并且,他表达了广大人民群众的愿望和意志,也反映了他的坚定信念。可以看出,他在新的历史条件下形成的积极浪漫主义,对社会发展规律有了比较明确的认识。

  • 内容简介
  • 《乌有乡消息》是一部长篇政治幻想小说。作品写于19世纪90年代。小说主人公是一个社会主义者,他在参加了一次有关社会主义问题的讨论后,回家做了一场梦。在梦中他发现自己已经生活在实现了共产主义的英国,他通过实地观察和与人交谈,惊奇地看到旧时代的生活痕迹已经彻底消失,人们的精神面貌也发生了根本的转变。在这个全新的世界上,贫富悬殊的现象没有了,私有财产和货币消亡了,人压迫人的现象也不复存在,一切都实现了按需分配。人们在这个世界上获得了真正的自由,人人有自己热爱的工作,个个过着丰衣足食的生活。小说通过对主人公这场梦的描绘,热情地赞美了人类的未来的社会形态——共产主义,并对19世纪英国的资本主义经济制度及其帝国主义政策进行了批判。

    News from Nowhere (1890) is a classic work combining utopian socialism and soft science fiction written by the artist, designer and socialist pioneer William Morris. In the book, the narrator, William Guest, falls asleep after returning from a meeting of the Socialist League and awakes to find himself in a future society based on common ownership and democratic control of the means of production. In this society there is no private property, no big cities, no authority, no monetary system, no divorce, no courts, no prisons, and no class systems. This agrarian society functions simply because the people find pleasure in nature, and therefore they find pleasure in their work.

  • 作者简介
  • 威廉·莫里斯是19世纪英国设计师、诗人、早期社会主义活动家及自学成才的工匠。他设计、监制或亲手制造的家具、纺织品、花窗玻璃、壁纸以及其他各类装饰品引发了工艺美术运动,一改维多利亚时代以来的流行品味。1868年至1871年间出版的叙事诗集《地上乐园》,借古希腊到中世纪的传说一抒胸中块垒。他亦是拉斐尔前派的重要成员,但极少留下画作。

    William Morris (24 March 1834 – 3 October 1896) was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain. Morris is recognised as one of the most significant cultural figures of Victorian Britain; though best known in his lifetime as a poet, he posthumously became better known for his designs. Founded in 1956, the William Morris Society is devoted to his legacy, while multiple biographies and studies of his work have seen publication.

  • 目录
    • CHAPTER I DISCUSSION AND BED
    • CHAPTER II A MORNING BATH
    • CHAPTER III THE GUEST HOUSE AND BREAKFAST THEREIN
    • CHAPTER IV A MARKET BY THE WAY
    • CHAPTER V CHILDREN ON THE ROAD
    • CHAPTER VI A LITTLE SHOPPING
    • CHAPTER VII TRAFALGAR SQUARE
    • CHAPTER VIII AN OLD FRIEND
    • CHAPTER IX CONCERNING LOVE
    • CHAPTER X QUESTIONS AND ANSWERS
    • CHAPTER XI CONCERNING GOVERNMENT
    • CHAPTER XII CONCERNING THE ARRANGEMENT OF LIFE
    • CHAPTER XIII CONCERNING POLITICS
    • CHAPTER XIV HOW MATTERS ARE MANAGED
    • CHAPTER XV ON THE LACK OF INCENTIVE TO LABOUR IN A COMMUNIST SOCIETY
    • CHAPTER XVI DINNER IN THE HALL OF THE BLOOMSBURY MARKET
    • CHAPTER XVII HOW THE CHANGE CAME
    • CHAPTER XVIII THE BEGINNING OF THE NEW LIFE
    • CHAPTER XIX THE DRIVE BACK TO HAMMERSMITH
    • CHAPTER XX THE HAMMERSMITH GUEST-HOUSE AGAIN
    • CHAPTER XXI GOING UP THE RIVER
    • CHAPTER XXII HAMPTON COURT AND A PRAISER OF PAST TIMES
    • CHAPTER XXIII AN EARLY MORNING BY RUNNYMEDE
    • CHAPTER XXIV UP THE THAMES: THE SECOND DAY
    • CHAPTER XXV THE THIRD DAY ON THE THAMES
    • CHAPTER XXVI THE OBSTINATE REFUSERS
    • CHAPTER XXVII THE UPPER WATERS
    • CHAPTER XXVIII THE LITTLE RIVER
    • CHAPTER XXIX A RESTING-PLACE ON THE UPPER THAMES
    • CHAPTER XXX THE JOURNEY'S END
    • CHAPTER XXXI AN OLD HOUSE AMONGST NEW FOLK
    • CHAPTER XXXII THE FEAST'S BEGINNING—THE END
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