笔记(共405篇)

  • 用户870617 用户870617

    “Mother died today. Or, maybe, yesterday; I can't be sure” 全部笔记(3) 去书内

    Albert Camus's The Outsider(1942) opens with one of the most iconic and provocative lines in modern literature: 'Mother died today. Or maybe yesterday, I don't know.' This stark, emotionally flat sentence immediately establishes the novel's core themes- alienation, absurdity, and societal judgment- while introducing the protagonist Meursault as a man fundamentally out of step with conventional human emotion. The opening's power lines in its simplicity, narrative detachment, and deliberate rejection of emotion performativity, all of which serve Camus' existentialist exploration of meaninglessness in a world that demands conformity.

    2026-05-10 喜欢(1) 回复(0)

  • 用户870617 用户870617

    “to cut things short” 全部笔记(1) 去书内

    好地道

    2026-05-11 喜欢(0) 回复(0)

  • 用户870617 用户870617

    “band” 全部笔记(1) 去书内

    带子

    2026-05-11 喜欢(0) 回复(0)

  • 用户870617 用户870617

    “Everyone was most kind” 全部笔记(1) 去书内

    作者把自己抽离出来了吗?这种事情用第三人称的视角去写好有意思

    2026-05-11 喜欢(0) 回复(0)

  • 用户870617 用户870617

    “Sorry, sir, but it's not my fault, you know.”” 全部笔记(1) 去书内

    感觉作者对于母亲的死好冷淡啊,不愧是局外人一说

    2026-05-11 喜欢(0) 回复(0)

  • 用户870617 用户870617

    “fixed up with” 全部笔记(1) 去书内

    介绍对象,牵线搭桥

    2026-05-11 喜欢(0) 回复(0)

  • 用户870617 用户870617

    “fifty miles” 全部笔记(1) 去书内

    50英里等于80.47公里

    2026-05-11 喜欢(0) 回复(0)

  • Q Q

    “THE END.” 全部笔记(1) 去书内

    Reading Albert Camus'The Stranger was a strangely unsettling yet thought-provoking experience. From the very first line, “Maman died today. Or maybe yesterday, I don't know,” Meursault's detached tone caught me off guard. His indifference toward his mother's death, his casual attitude toward Marie, and his unapologetic confession of murder felt alien, even repulsive, at first. I kept waiting for him to show remorse, to pretend grief, to act like the “normal” person society expects—but he never did. As the story unfolded, I began to see beyond Meursault's cold exterior. He is not evil; he is simply honest, refusing to perform emotions that he does not feel. The trial scene struck me the most: the court condemned him not for killing the Arab, but for not crying at his mother's funeral. That realization made me question the absurdity of societal norms—how we judge others based on superficial displays of feeling rather than actual deeds.

    2026-01-15 喜欢(0) 回复(0)

  • Q Q

    “scorching” 全部笔记(1) 去书内

    灼热的

    2026-01-15 喜欢(0) 回复(0)

  • Q Q

    “spaghetti” 全部笔记(1) 去书内

    意大利面

    2026-01-15 喜欢(0) 回复(0)