笔记(共405篇)
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“Mother died today. Or, maybe, yesterday; I can't be sure” 全部笔记(3) 去书内
Albert Camus's The Outsider(1942) opens with one of the most iconic and provocative lines in modern literature: 'Mother died today. Or maybe yesterday, I don't know.' This stark, emotionally flat sentence immediately establishes the novel's core themes- alienation, absurdity, and societal judgment- while introducing the protagonist Meursault as a man fundamentally out of step with conventional human emotion. The opening's power lines in its simplicity, narrative detachment, and deliberate rejection of emotion performativity, all of which serve Camus' existentialist exploration of meaninglessness in a world that demands conformity.
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用户870617
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用户870617
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用户870617
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用户870617
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用户870617
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用户870617
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Reading Albert Camus'The Stranger was a strangely unsettling yet thought-provoking experience. From the very first line, “Maman died today. Or maybe yesterday, I don't know,” Meursault's detached tone caught me off guard. His indifference toward his mother's death, his casual attitude toward Marie, and his unapologetic confession of murder felt alien, even repulsive, at first. I kept waiting for him to show remorse, to pretend grief, to act like the “normal” person society expects—but he never did. As the story unfolded, I began to see beyond Meursault's cold exterior. He is not evil; he is simply honest, refusing to perform emotions that he does not feel. The trial scene struck me the most: the court condemned him not for killing the Arab, but for not crying at his mother's funeral. That realization made me question the absurdity of societal norms—how we judge others based on superficial displays of feeling rather than actual deeds.
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