• 导读
  • There is a house at Douai in the rue de Paris, whose aspect, interior arrangements, and details have preserved, to a greater degree than those of other domiciles, the characteristics of the old Flemish buildings, so naively adapted to the patriarchal manners and customs of that excellent land. Before describing this house it may be well, in the interest of other writers, to explain the necessity for such didactic preliminaries,—since they have roused a protest from certain ignorant and voracious readers who want emotions without undergoing the generating process, the flower without the seed, the child without gestation. Is Art supposed to have higher powers than Nature?

  • 内容简介
  • From Lost Illusions. Scenes From Provincial Life from The Human Comedy (La Comedie Humaine). By the French author, who, along with Flaubert, is generally regarded as a founding-father of realism in European fiction. His large output of works, collectively entitled The Human Comedy (La Comedie Humaine), consists of 95 finished works (stories, novels and essays) and 48 unfinished works. His stories are an attempt to comprehend and depict the realities of life in contemporary bourgeois France. They are placed in a variety of settings, with characters reappearing in multiple stories.

  • 作者简介
  • Honoré de Balzac(May 20, 1799 – August 18, 1850), born Honoré Balzac, was a nineteenth-century French novelist and playwright. His work, much of which is a sequence (or Roman-fleuve) of almost 100 novels and plays collectively entitled La Comédie humaine, is a broad, often satirical panorama of French society, particularly the petite bourgeoisie, in the years after the fall of Napoléon Bonaparte in 1815—namely the period of the Restoration (1815–1830) and the July Monarchy (1830–1848).

    Along with Gustave Flaubert (whose work he influenced), Balzac is generally regarded as a founding father of realism in European literature. Balzac's novels, most of which are farcical comedies, feature a large cast of well-defined characters, and descriptions in exquisite detail of the scene of action. He also presented particular characters in different novels repeatedly, sometimes as main protagonists and sometimes in the background, in order to create the effect of a consistent 'real' world across his novelistic output. He is the pioneer of this style.

  • 目录
    • CHAPTER I
    • CHAPTER II
    • CHAPTER III
    • CHAPTER IV
    • CHAPTER V
    • CHAPTER VI
    • CHAPTER VII
    • CHAPTER VIII
    • CHAPTER IX
    • CHAPTER X
    • CHAPTER XI
    • CHAPTER XII
    • CHAPTER XIII
    • CHAPTER XIV
    • CHAPTER XV
    • CHAPTER XVI
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