One of the few drawing-rooms where, under the Restoration, the Archbishop of Besancon was sometimes to be seen, was that of the Baronne de Watteville, to whom he was particularly attached on account of her religious sentiments.

A word as to this lady, the most important lady of Besancon.

Monsieur de Watteville, a descendant of the famous Watteville, the most successful and illustrious of murderers and renegades—his extraordinary adventures are too much a part of history to be related here—this nineteenth century Monsieur de Watteville was as gentle and peaceable as his ancestor of the /Grand Siecle/ had been passionate and turbulent. After living in the /Comte/ (La Franche Comte) like a wood-louse in the crack of a wainscot, he had married the heiress of the celebrated house of Rupt. Mademoiselle de Rupt brought twenty thousand francs a year in the funds to add to the ten thousand francs a year in real estate of the Baron de Watteville. The Swiss gentleman's coat-of-arms (the Wattevilles are Swiss) was then borne as an escutcheon of pretence on the old shield of the Rupts. The marriage, arranged in 1802, was solemnized in 1815 after the second Restoration. Within three years of the birth of a daughter all Madame de Watteville's grandparents were dead, and their estates wound up. Monsieur de Watteville's house was then sold, and they settled in the Rue de la Prefecture in the fine old mansion of the Rupts, with an immense garden stretching to the Rue du Perron. Madame de Watteville, devout as a girl, became even more so after her marriage. She is one of the queens of the saintly brotherhood which gives the upper circles of Besancon a solemn air and prudish manners in harmony with the character of the town.

What an ideal being was this Albert--gloomy, unhappy, eloquent, laborious, as compared by Mademoiselle de Watteville to that chubby fat Count, bursting with health, paying compliments, and talking of the fashions in the very face of the splendor of the old counts of Rupt.

Honoré de Balzac(May 20, 1799 – August 18, 1850), born Honoré Balzac, was a nineteenth-century French novelist and playwright. His work, much of which is a sequence (or Roman-fleuve) of almost 100 novels and plays collectively entitled La Comédie humaine, is a broad, often satirical panorama of French society, particularly the petite bourgeoisie, in the years after the fall of Napoléon Bonaparte in 1815—namely the period of the Restoration (1815–1830) and the July Monarchy (1830–1848).

Along with Gustave Flaubert (whose work he influenced), Balzac is generally regarded as a founding father of realism in European literature. Balzac's novels, most of which are farcical comedies, feature a large cast of well-defined characters, and descriptions in exquisite detail of the scene of action. He also presented particular characters in different novels repeatedly, sometimes as main protagonists and sometimes in the background, in order to create the effect of a consistent 'real' world across his novelistic output. He is the pioneer of this style.