In 1828, at about one o'clock one morning, two persons came out of a large house in the Rue du Faubourg Saint-Honore, near the Elysee- Bourbon. One was the famous doctor, Horace Bianchon; the other was one of the most elegant men in Paris, the Baron de Rastignac; they were friends of long standing. Each had sent away his carriage, and no cab was to be seen in the street; but the night was fine, and the pavement dry.

"We will walk as far as the boulevard," said Eugene de Rastignac to Bianchon. "You can get a hackney cab at the club; there is always one to be found there till daybreak. Come with me as far as my house."

From Lost Illusions. Scenes From Provincial Life from The Human Comedy (La Comedie Humaine). By the French author, who, along with Flaubert, is generally regarded as a founding-father of realism in European fiction. His large output of works, collectively entitled The Human Comedy (La Comedie Humaine), consists of 95 finished works (stories, novels and essays) and 48 unfinished works. His stories are an attempt to comprehend and depict the realities of life in contemporary bourgeois France. They are placed in a variety of settings, with characters reappearing in multiple stories.

Honoré de Balzac(May 20, 1799 – August 18, 1850), born Honoré Balzac, was a nineteenth-century French novelist and playwright. His work, much of which is a sequence (or Roman-fleuve) of almost 100 novels and plays collectively entitled La Comédie humaine, is a broad, often satirical panorama of French society, particularly the petite bourgeoisie, in the years after the fall of Napoléon Bonaparte in 1815—namely the period of the Restoration (1815–1830) and the July Monarchy (1830–1848).

Along with Gustave Flaubert (whose work he influenced), Balzac is generally regarded as a founding father of realism in European literature. Balzac's novels, most of which are farcical comedies, feature a large cast of well-defined characters, and descriptions in exquisite detail of the scene of action. He also presented particular characters in different novels repeatedly, sometimes as main protagonists and sometimes in the background, in order to create the effect of a consistent 'real' world across his novelistic output. He is the pioneer of this style.