• 导读
  • 《屈身求爱》是一出写于十八世纪末的笑喜剧,全剧围绕当时英国年轻男女的恋爱与婚姻,与《傲慢与偏见》同曲异工,连人物特征都相差无几:英国乡村,颇有点头衔的家庭,颇有些才情与自负的有主见的待嫁女主人公、英俊翩翩的未婚男士造访,加上一个贪慕虚荣一心攀个好女婿的母亲、通情达理且低调的父亲,一并插点儿愚蠢的亲戚,私奔的小插曲,同时作者的幽默感与滑稽论调让人忍俊不禁。 作者最终圆满的处理了各个矛盾,虽然有些太过圆滑,却是令人高兴之作。台词也不乏精彩之处,让人回味。

    In She Stoops to Conquer, charming satire of the sentimental comedies of the day has entertained audiences since 1773. The play is a favourite for study by English literature and theatre classes in Britain and the United States. It is one of the few plays from the 18th century to have an enduring appeal, and is still regularly performed today.

  • 内容简介
  • 《屈身求爱》是一出写于十八世纪末的笑喜剧,全剧围绕当时英国年轻男女的恋爱与婚姻,与《傲慢与偏见》同曲异工,连人物特征都相差无几:英国乡村,颇有点头衔的家庭,颇有些才情与自负的有主见的待嫁女主人公、英俊翩翩的未婚男士造访,加上一个贪慕虚荣一心攀个好女婿的母亲、通情达理且低调的父亲,一并插点儿愚蠢的亲戚,私奔的小插曲,同时作者的幽默感与滑稽论调让人忍俊不禁。 作者最终圆满的处理了各个矛盾,虽然有些太过圆滑,却是令人高兴之作。台词也不乏精彩之处,让人回味。

    She Stoops to Conquer is a comedy by Irish author Oliver Goldsmith that was first performed in London in 1773. A young lady poses as a serving girl to win the heart of a young gentleman too shy to court ladies of his own class. Many delightful deceits, hilarious turns of plot must be played out before the play concludes happily. It has been adapted into a film several times, including in 1914 and 1923. Initially the play was titled Mistakes of a Night, and indeed, the events within the play take place in one long night.

  • 作者简介
  • 奥立弗·高德史密斯(1728年11月-1774年4月)是十八世纪著名的剧作家。他生于一个爱尔兰家庭他是贫穷助理牧师的儿子,因早年得过天花而形象严重受损。因为家庭的贫困,他在学校里需要做一些工作。早年毕业于都柏林圣三一学院(Trinity College)及于爱丁堡就读医科,不过他并不是一个成功的医生,成为医生并不能养活自己,于是他先做了一段时间的小学教师,之后在两家出版商工作过,并开始发表文章,从这以后他开始了他的写作生涯。而在1774年在他名声最望的时候他却因病去世了。

    Oliver Goldsmith (10 November 1728 – 4 April 1774) was an Anglo-Irish novelist, playwright and poet, who is best known for his novel The Vicar of Wakefield (1766), his pastoral poem The Deserted Village (1770), and his plays The Good-Natur'd Man (1768) and She Stoops to Conquer (1771, first performed in 1773). He also wrote An History of the Earth and Animated Nature.

  • 目录
    • To SAMUEL JOHNSON, LL.D.
    • PROLOGUE
    • DRAMATIS PERSONAE
    • ACT THE FIRST
    • ACT THE SECOND
    • ACT THE THIRD
    • ACT THE FOURTH
    • ACT THE FIFTH