卡尔·马克思最喜爱的戏剧。泰门之命终“从世俗短暂的浮华中脱离,寻求到了大自然永恒的肃穆”。
In thirty-seven of Shakespeare’s thirty-eight plays, there are representations of family and sexual relationships — parents and children, siblings, lovers, married couples, usually in multiple combinations. The bonds of family and desire are the very DNA of his dramatic world. Timon of Athens is the unique exception that proves the rule. Nobody in the play has a blood relationship to anyone else. The central character has no family and no lover.
《雅典的泰门》是英国剧作家威廉·莎士比亚创作的最后一部悲剧,大约创作于1607-1608年。剧情讲述了雅典贵族泰门生性豪爽、乐善好施,于是许多人乘机前来骗取钱财,后来导致其倾家荡产,“朋友们”纷纷离他而去,最后在绝望中孤独死去的悲剧。
The real Timon of Athens lived there in the fifth century BCE, making him a contemporary of Socrates and Pericles. Shakespeare presents Timon as a figure who suffers such profound disillusionment that he becomes a misanthrope, or man-hater. This makes him a more interesting character than the caricature he had become to Shakespeare’s contemporaries, for whom “Timonist” was a slang term for an unsociable man.
- 出版说明
- 莎士比亚诗体重译集序
- 《雅典的泰门》导言
- Introduction to The Life of Timon of Athens
- Introuduce
- Act 1
- Act 2
- Act 3
- Act 4
- Act 5
- USER'S GUIDE
- 人物简介
- 第一幕
- 第二幕
- 第三幕
- 第四幕
- 第五幕
- 《雅典的泰门》译后记
- 版权页
- 书评 写书评
- 笔记
-
书评加载中...
笔记加载中...