• 导读
  • Educated beyond her station, Grace Melbury returns to the woodland village of little Hintock and cannot marry her intended, Giles Winterborne. Her alternative choice proves disastrous, and in a moving tale that has vibrant characters, many humorous moments and genuine pathos coupled with tragic irony, Hardy eschews a happy ending. With characteristic derision, he exposes the cruel indifference of the archaic legal system off his day, and shows the tragic consequences of untimely adherence to futile social and religious proprieties

  • 内容简介
  • 哈代,OM(1840年6月-1928年1月11日)是英国小说家和诗人。虽然他的作品通常属于自然运动,几首诗显示前浪漫主义和启蒙时期的文学,如他对超自然的迷恋元素。

    Educated beyond her station, Grace Melbury returns to the woodland village of little Hintock and cannot marry her intended, Giles Winterborne. Her alternative choice proves disastrous, and in a moving tale that has vibrant characters, many humorous moments and genuine pathos coupled with tragic irony, Hardy eschews a happy ending. With characteristic derision, he exposes the cruel indifference of the archaic legal system off his day, and shows the tragic consequences of untimely adherence to futile social and religious proprieties

  • 作者简介
  • Thomas Hardy (2 June 1840 – 11 January 1928) was an English novelist and poet. A Victorian realist, in the tradition of George Eliot, he was also influenced both in his novels and poetry by Romanticism, especially by William Wordsworth. Charles Dickens is another important influence on Thomas Hardy. Like Dickens, he was also highly critical of much in Victorian society, though Hardy focused more on a declining rural society. While Hardy wrote poetry throughout his life, and regarded himself primarily as a poet, his first collection was not published until 1898. Initially therefore he gained fame as the author of such novels as Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). However, since the 1950s Hardy has been recognized as a major poet, and had a significant influence on The Movement poets of the 1950s and 1960s, including Phillip Larkin.

  • 目录
    • CHAPTER I.
    • CHAPTER II.
    • CHAPTER III.
    • CHAPTER IV.
    • CHAPTER V.
    • CHAPTER VI.
    • CHAPTER VII.
    • CHAPTER VIII.
    • CHAPTER IX.
    • CHAPTER X.
    • CHAPTER XI.
    • CHAPTER XII.
    • CHAPTER XIII.
    • CHAPTER XIV.
    • CHAPTER XV.
    • CHAPTER XVI.
    • CHAPTER XVII.
    • CHAPTER XVIII.
    • CHAPTER XIX.
    • CHAPTER XX.
    • CHAPTER XXI.
    • CHAPTER XXII.
    • CHAPTER XXIII.
    • CHAPTER XXIV.
    • CHAPTER XXV.
    • CHAPTER XXVI.
    • CHAPTER XXVII.
    • CHAPTER XXVIII.
    • CHAPTER XXIX.
    • CHAPTER XXX.
    • CHAPTER XXXI.
    • CHAPTER XXXII.
    • CHAPTER XXXIII.
    • CHAPTER XXXIV.
    • CHAPTER XXXV.
    • CHAPTER XXXVI.
    • CHAPTER XXXVII.
    • CHAPTER XXXVIII.
    • CHAPTER XXXIX.
    • CHAPTER XL.
    • CHAPTER XLI.
    • CHAPTER XLII.
    • CHAPTER XLIII.
    • CHAPTER XLIV.
    • CHAPTER XLV.
    • CHAPTER XLVI.
    • CHAPTER XLVII.
    • CHAPTER XLVIII
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