一部关于爱尔兰的“道德史”,凝结了作者对人生和社会的深刻思考。
《都柏林人》是詹姆斯·乔伊斯久负盛名的短篇小说集,1914年出版,成功地再现了19世纪末20世纪初英国殖民国爱尔兰的社会现实,截取中下层人民生活的横断面,一个片刻一群人,十五个故事汇集起来,宛若一幅印象主义的绘画,笔触简练,错落成篇,浮现出苍凉世态,遥远、清冷,然而精致。这15篇故事,以写实和讽刺的表现手法描绘了二十世纪初期都柏林中下阶层的生活,瘫痪和死亡贯穿全书。在同样的底色上,《一个青年艺术家的肖像》集中描绘了一个忧郁敏感、在浓郁的宗教氛围中成长起来、具有艺术家气质的青年形象。通过青年之口,乔伊斯表达了自己对宗教、艺术和人生的观点。后来,这个青年继续成长,走进了意识流宏篇《尤利西斯》之中。因此,阅读此书,将有助于阅读《尤利西斯》。
It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves. It was falling, too, upon every part of the lonely churchyard on the hill where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns.His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.
作者采用现实主义的手法写下了十五种不同的人生。文字虽少,乔伊斯却能把一个人物在一个环境下本该有的情绪呈现在我们面前……
In Dubliners, Joyce’s first attempt to register in language and fictive form the protean complexities of the reality of experience, he learns the paradoxical lesson that only through the most rigorous economy, only by concentrating on the minutest of particulars, can he have any hope of engaging with the immensity of the world. From the Introduction, Joyce renews our apprehension of reality, strengthens our sympathy with our fellow creatures, and leaves us in awe before the mystery of created things. —Atlantic Monthly
- 第一章 姐妹俩
- 第二章 偶遇
- 第三章 阿拉比
- 第四章 伊夫琳
- 第六章 两个风流汉
- 第七章 寄宿公寓
- 第八章 小云朵
- 第九章 对手
- 第十章 泥土
- 第十一章 一桩惨事
- 第十二章 委员会办公室里的常春藤日
- 第十三章 一位母亲
- 第十四章 天恩
- 第十五章 死者
- CHAPTER 1 THE SISTERS
- CHAPTER 2 AN ENCOUNTER
- CHAPTER 3 ARABY
- CHAPTER 4 EVELINE
- CHAPTER 5 AFTER THE RACE
- CHAPTER 6 TWO GALLANTS
- CHAPTER 7 THE BOARDING HOUSE
- CHAPTER 8 A LITTLE CLOUD
- CHAPTER 9 COUNTERPARTS
- CHAPTER 10 CLAY
- CHAPTER 11 A PAINFUL CASE
- CHAPTER 12 IVY DAY IN THE COMMITTEE ROOM
- CHAPTER 13 A MOTHER
- CHAPTER 14 GRACE
- CHAPTER 15 THE DEAD
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