莫泊桑短篇小说的题材是丰富多彩的,在他的作品里,形形色色的社会生活,如战争的溃败、上流社会的喜庆游乐、资产者沙龙里的聚会、官僚机构里的例行公事、小资产阶级家庭的日常生活、外省小镇上的情景、农民的劳动与生活、宗教仪式与典礼、酒馆妓院里的喧闹等等,都有形象的描绘;社会各阶级各阶层的人物,从上层的贵族、官僚、企业家到中间阶层的公务员、自由职业者、小业主,到下层的工人、农民、流浪汉以至乞丐、妓女,都得到了鲜明的勾画;法国广阔天地里,从巴黎闹市到外省城镇以及偏远乡村与蛮荒山野的风貌人情,也都有生动的写照。在广阔的艺术视野与广阔的取材面上,莫泊桑的短篇显然超过了过去的梅里美与同时代的都德,而在他广泛的描写中,又有着三个突出的重点,即普法战争、巴黎的小公务员生活与诺曼底地区乡镇的风光与轶事。
居伊·德·莫泊桑,一生写短篇小说将近300篇。他的短篇小说构思别具匠心,情节变化多端,描写生动细致,刻画人情世态惟妙惟肖,令人读后回味无穷。他的作品深受叔本华的影响,渗透了浓厚的悲观主义。
Maupassant is considered one of the fathers of the modern short story. He delighted in clever plotting, and served as a model for Somerset Maugham and O. Henry in this respect. His stories about expensive jewellery ("The Necklace", "La parure") are imitated with a twist by Maugham ("Mr Know-All", "A String of Beads") and Henry James ("Paste"). Taking his cue from Balzac, Maupassant wrote comfortably in both the high-Realist and fantastic modes; stories and novels such as "L'Héritage" and Bel-Ami aim to recreate Third Republic France in a realistic way, whereas many of the short stories (notably "Le Horla" and "Qui sait?") describe apparently supernatural phenomena. The supernatural in Maupassant, however, is often implicitly a symptom of the protagonists' troubled minds; Maupassant was fascinated by the burgeoning discipline of psychiatry, and attended the public lectures of Jean-Martin Charcot between 1885 and 1886.
- GUY DE MAUPASSANT
- INTRODUCTION
- MADEMOISELLE FIFI
- AN AFFAIR OF STATE
- THE ARTIST
- THE HORLA
- MISS HARRIET
- THE HOLE
- LOVE
- THE INN
- A FAMILY
- BELLFLOWER
- WHO KNOWS?
- THE DEVIL
- EPIPHANY
- SIMON'S PAPA
- WAITER, A "BOCK"
- SEQUEL TO A DIVORCE
- THE MAD WOMAN
- IN VARIOUS ROLES
- THE FALSE GEMS
- COUNTESS SATAN
- THE COLONEL'S IDEAS
- TWO LITTLE SOLDIERS
- GHOSTS
- WAS IT A DREAM?
- THE DIARY OF A MADMAN
- AN UNFORTUNATE LIKENESS
- A COUNTRY EXCURSION
- 书评 写书评
- 笔记
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